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When the Mental Ray renderer is selected in the Render Settings window, the anti-alias quality settings can be accessed, shown here Mental Ray s anti-aliasing algorithm works similarly to the Maya software renderer s algorithm but it provides an additional optimization On the low side, Mental Ray has the ability to sample not just one sample for every pixel, but it can do, for example, one sample for every four pixels This is great when creating previews or even images that have a lot of solid colors Instead of setting the number of samples directly, as in the Maya software renderer, you set the Min and Max Sample Level attributes based on an exponent A value of 0 is equal to one sample per pixel A value of 1 means that four samples will be taken for each pixel A value of 2 will take 16 samples A value of 1 takes one sample for every four pixels The Min and Max Sample Level attributes are analogous to the Shading and Max Shading attributes in the Maya software renderer Min Sample Level controls how many samples are taken during the first pass of the render If the contrast values of these samples exceed that of the Contrast RGBA attributes, additional samples are taken The maximum number of samples taken is determined by the Max Sample Level attribute s value

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Since you re reading this book, you re probably already aware that the GMAT is a big deal in MBA admissions, at least for the leading schools There are two reasons for this, one good and one not-so-good

A rendering engine can use many different methods to calculate the shading of a 3D scene The renderer can consider all of the surface, material, and lighting attributes and calculate the final image in many ways The default renderer in Maya uses what is called normal vector interpolation shading This shading occurs by interpolating the vertex normals and shading every point

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The not-so-good reason is that the schools are ranked in part by the average GMAT scores of their incoming classes Every year, most of the major rankings bodies basically the editorial staffs of BusinessWeek, The Economist, The Financial Times, and US News & World Report latch onto quantitative factors to a greater or lesser extent, because, well, they re quantitative Actually, BusinessWeek releases its figures only every other year, which is probably just fine, since graduate school reputations and rankings should not shift radically in a year unless something truly exceptional (like a new building) or catastrophic (like a really bad recruiting year) happens As for the publications, The Wall Street Journal is alone among this group in simply polling recruiters, which produces a quite different list GMAT scores are an easy figure for prospective applicants to grasp, so everyone wants to know the averages How smart your classmates will be is an important consideration, since a great deal of one s graduate school education is provided by one s peers Admissions staffs know this, so they watch (or, perhaps more accurately, chase) the average GMAT scores of the incoming class That applicant may have worked in the West Wing of the White House, but the National Security Advisor s endorsement on his recommendation may not be enough to make up for a 520 score That would tank the average, and the school (horrors) could fall a point or two

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The generic base class for JSP exceptions A number of methods in the custom tags classes throw this exception

Rankings pressure aside, there is a perfectly valid reason that admissions staffs care about GMAT scores Contrary to the conspiracy theorists and those who are trying to sell you books of test-taking tricks, standardized tests are reasonably reliable, at least in one respect (keep reading) On the one hand, several internal business school studies we have seen indicate that

Preproduction is not necessarily a workflow particular to Maya, but it is one of the most important phases of any 3D production workflow Even in a world of advanced technology, a 3D project should begin on pencil and paper Storyboarding, conceptual sketches, and character design are truly essential to any successful 3D project

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Use traditional filmmaking techniques to enhance your idea Color, lighting, camera angles, and composition are all important elements that help to convey a mood Plan to incorporate these elements into your shots so that every frame tells a story of its own For Star Wars: Episode I, George Lucas and his team of computer graphics artists at JAK Films pioneered the idea of using computers to previsualize scenes in the movie once the storyboards were complete The resulting animatics enabled Lucas to use basic geometry, animation, and lighting to set up and experiment with the shots that the storyboard artists had conceived It also provided the perfect channel for communication with the visual effects artists at Industrial Light & Magic These artists not only received the drawn storyboards, but also had an idea of exactly how the objects and the camera moved though the scenes Since then, previsualization has become popular in the film industry as a method for designing complicated shots involving effects The movie Sin City was approved for production by a major studio based on an impressive 3D animatic Even as a solo artist, previz can help you quickly figure out if your shot, or sequence of shots, is working

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